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This works best when the plug-in knows the frequency curve of the noise (aka, noise profile), and the DeNoiser can automatically calculate this for you if required. This mode can work magic on video footage, and despite being dubbed Dialogue Mode, it's suitable for other restoration situations where you need different settings for loud and quiet events. To fine-tune the way the DeClicker categorises events, there are sidechained low- and high-frequency filters and a real-time spectrum analyser, not to mention a level profile chart, both of which appear at the bottom of the main window. You set the voice threshold control much as you'd set that of a noise gate, so any audio events breaching it are processed with the Above Set parameters, and the others with the Below Set. Thus you can use more aggressive settings on the non-vocal sections without adversely affecting the audibility of the vocal sections - very clever.

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This mode is designed specifically for dialogue restoration work, and works by separately categorising events as dialogue and non-dialogue, then enabling you to process them separately with two full sets of DeClicker controls. This includes Venue, S3L and S6L systems."DeClicker's algorithms distinguish between noise events and audio content, the former showing up as colour-coded dots on the graphical display."Īctivate the DeClicker's Dialogue Mode and a bunch of extra controls pop up. The Oxford DeClicker does not support Avid’s TDM/HDX hardware DSP platform.

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iLok2 / iLok3 required with latest drivers This plug-in offers 2 activations for each product licence you own.Īll licences must be kept on the same iLok account, and each activation will allow you to authorise your Plug-In using the following methods:

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Legacy 32-bit support for OS X 10.4.11 – 10.6.8 & Windows XP VST2 compatible application (Cubase, Nuendo, Sequoia etc.) ILok2 / iLok3 required for 64-bit plug-in Mac OS X 10.7 or later (for 10.15 Catalina compatibility click here)

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Pro Tools 10.3.8, 11.3.2, 12 – AAX NativeĪpproved Pro Tools CPU, OS and hardware configuration: Legacy RTAS support for OS X 10.4.11 – 10.6.8 and Windows XPĪudio Units-compatible application (Logic, Digital Performer etc.) Pro Tools, Logic, Cubase, Nuendo, Sequoia and Wavelab.

Compatible with many digital audio workstation applications, such as:.

Indication of filesize or datastream compression Bitstream levels and ability to compensate for overloads Indication of the audibility of audio removed by the encoding process High resolution display of the Input signal and Diff signal.

AB auditioning in real time between codecs, or between codec and input signal.

Ability to audition the difference between input signal and codec output.

Comprehensive auditioning with glitchless switching.

Ability to select up to five codecs for simultaneous export, in real time, to encoded files.

mp3, mp3 Surround, AAC-LC, HE-AAC, and HE-AAC v2 Similarly, Mastering engineers may audition in the final format and produce compensated masters for final encoding and distribution. Using this plug-in mix engineers may produce mixes optimised towards specific target codecs, thereby ensuring maximum fidelity. The revolutionary Sonnox Fraunhofer Pro-Codec now makes this possible, and includes extensive monitoring tools and built-in encoding/decoding features. In the past it has not been possible to critically audition and then encode multiple formats in real time within a host DAW environment. The Sonnox Fraunhofer Pro-Codec Plug-In is designed for the real-time auditioning, encoding and decoding of audio signals using Fraunhofer codecs.